Sarah Peebles: Insect Groove
Observing an ecological system and the act of listening to music have much in common; both reveal their subtleties over time as a reward for the attentive eye and ear rather than presenting themselves in a single instant, and they both require a sense of relationship of their parts to the whole. Sarah Peebles' Insect Groove is a set of sonic landscapes for the ear that is, in the words of The Wire, "... a rewarding interface between digital abstraction, group improvisation, 21st century program music, Zen performance and ecological manifesto." The disc collects a series of works by Sarah Peebles and an A-list of collaborators from the experimental music community (British composer and text artists David Toop and the extended guitar work of Nilan Pererra) and the work of Jin Hi Kim and Ko Ishikawa, traditional musicians known world-wide for their commitment to bringing the sounds of their respective traditional Korean and Japanese court instruments into the new century.

The eight tracks on Insect Groove combine Sarah's performance on the sho, an ancient Japanese mouth organ found in the Japanese gagaku orchestra, with her own Max patches that she uses to access clusters of natural and mechanical samples. The recordings are, almost without exception, live performances‹often in alternative performance settings. Some highlights include "White Powder/The Spiders" featuring David Toop's spoken word work from his text Exotica: fabricated soundscapes in a real world, alongside the sho work of Japanese virtuoso Ko Ishikawa (who is also featured on "Listen to the Sound of the Sun Sinking into the Lake.") Toop guests again in a somewhat different form on "Drillbit Skiploop", where a sample from a skipping CD of David's own recording Pink Noir provides the source material for Sarah's transformations. Jin Hi Kim guests on electrified komungo (a Korean zither dating from the fourth century) on the disc's title track. The resulting soundscapes are lively collections of the near-familiar, where radio broadcasts, insects, power tools, birds, and acoustic instruments live side-by-side in provocative harmony.
Cover photo by Wolfgang Wiggers.
Click here to see a list of the C74 one-sheets.
MP3 Samples
- The Curse of Border Vacuums, part I (1.1 MB)
- Insect Groove (1.1 MB)
- White Powder/The Spiders (1 MB)
This and the other C74 Music CDs can be purchased from our online store.
Artist Interviews
Visit the interviews section where you will find discussions with some of the c74 music label artists as well as other people who use our software. We're not as interested in having them extol the virtues of our software as we are in finding out about their approach to whatever it is they're doing with the software, whether it's music, engineering, art, industrial process control, or some combination thereof.
We hope these conversations will stimulate you to think about new approaches to electronic media, and will encourage you to check out the work of the artists if you're not already familiar with them. We've peppered the interviews with links that you can use to explore their work in more detail.

