[radiaL] vst and separated tracks
Gregory Taylor
gtaylor at rtqe.net
Mon Jun 18 20:25:22 MDT 2007
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>What, for you, is the ethical issue in a situation >such as you describe? You mean for me? Kind of simple. What I record is the equivalent of the old jazz thing where you walk onstage with the tape rolling and start playing. For better or worse, the resulting document is precisely what you did. No overdubs, no sweetening (beyond my hiring the services of Darwin Grosse, who's the best mastering engineer I know), no nothing. That's what happened. No one made me do anything like it - I just realized that the performances I came to feel were "good* in some way or ones I didn't feel odd about sharing with people were complete works. This goes back to the days when I was doing this whole quotation-based mashup stuff as well - what mattered to me was the record of making a set of "right" or "fitting" decisions in the heat of the moment. I get a lot fewer recordings that way - and don't sit at home making tons of things I don't know what to do with [scratchpadding]; I "practice," if ou will, so that I know my material, I'm comfortable with my interface, and I can spend more time listening than wrestling with stuff. For me, that's what has become satisfying. It's a very conservative way to think about what I'm doing, and a potentially stupid technique for performing live - instead of taking a bunch of loops that I already know work and then working to minimize the possibility of risk by carefully choosing the params to tweak that will make me look cool on stage or some similar kind of approach [which I am sure makes some people really happy and wins them the adulation of others], I like the opportunity of things NOT going well. A successful gig (again, to *me*) feels better. And while I'd like being rich or famous or sometimes even wonder about the possiblity of doing something more than once, this is what I do. Your mileage may vary, of course. And mine is subject to change at any point. But that's what the GPS is telling me now. -- on the floor there's a long wooden table/on the table there's an open book/ on the page there's a detailed drawing/and on the drawing is the name I took Gregory Taylor http://www.rtqe.net
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